%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 66 0 R 132 0 R 194 0 R 196 0 R 198 0 R 201 0 R 203 0 R 205 0 R 207 0 R 210 0 R 212 0 R 214 0 R 216 0 R 218 0 R 220 0 R 222 0 R 224 0 R 227 0 R ] /Count 19 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R >> /ExtGState << /GS1 62 0 R /GS2 63 0 R /GS3 64 0 R /GS4 65 0 R >> >> /MediaBox [0.000 0.000 595.280 841.890] >> endobj 4 0 obj [/PDF /Text ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20241222165452+00'00') /ModDate (D:20241222165452+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 12 0 R 14 0 R 16 0 R 18 0 R 20 0 R 22 0 R 24 0 R 26 0 R 28 0 R 30 0 R 32 0 R 34 0 R 36 0 R 38 0 R 40 0 R 42 0 R 44 0 R 46 0 R 48 0 R 50 0 R 52 0 R 54 0 R 56 0 R 58 0 R 60 0 R ] /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1331 >> stream xXMs6WQ#N'-6ǒRR3/#D+/Lb-vu?ۣ7WLdRy뷊P!bU_^/))vK4 Y]>ljXgź['u^n|[v]贪qq'.!,V&e~+rvw-}#N W1?،IhIrȂ.HoxQ&~vވdxSJ?B:o3$řyo&_,I2.^d@L˓!QFKKH-2F9E~[;vh޸T2%?hqChLy{[U8LohkO@@ endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Helvetica /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Annot /Subtype /Link /A 13 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 585.7782 160.3760 597.9882 ] >> endobj 13 0 obj << /Type /Action >> endobj 14 0 obj << /Type /Annot /Subtype /Link /A 15 0 R /Border [0 0 0] /H /I /Rect [ 286.1400 544.1046 334.1400 556.3146 ] >> endobj 15 0 obj << /Type /Action >> endobj 16 0 obj << /Type /Annot /Subtype /Link /A 17 0 R /Border [0 0 0] /H /I /Rect [ 270.1320 529.4526 350.1480 541.6626 ] >> endobj 17 0 obj << /Type /Action >> endobj 18 0 obj << /Type /Annot /Subtype /Link /A 19 0 R /Border [0 0 0] /H /I /Rect [ 271.1340 514.8006 349.1460 527.0106 ] >> endobj 19 0 obj << /Type /Action >> endobj 20 0 obj << /Type /Annot /Subtype /Link /A 21 0 R /Border [0 0 0] /H /I /Rect [ 281.1360 500.1486 339.1440 512.3586 ] >> endobj 21 0 obj << /Type /Action >> endobj 22 0 obj << /Type /Annot /Subtype /Link /A 23 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 486.1182 95.0000 498.3282 ] >> endobj 23 0 obj << /Type /Action >> endobj 24 0 obj << /Type /Annot /Subtype /Link /A 25 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 459.4662 117.6920 471.6762 ] >> endobj 25 0 obj << /Type /Action >> endobj 26 0 obj << /Type /Annot /Subtype /Link /A 27 0 R /Border [0 0 0] /H /I /Rect [ 295.8000 417.7926 324.4800 430.0026 ] >> endobj 27 0 obj << /Type /Action >> endobj 28 0 obj << /Type /Annot /Subtype /Link /A 29 0 R /Border [0 0 0] /H /I /Rect [ 281.1300 403.1406 339.1500 415.3506 ] >> endobj 29 0 obj << /Type /Action >> endobj 30 0 obj << /Type /Annot /Subtype /Link /A 31 0 R /Border [0 0 0] /H /I /Rect [ 282.4620 388.4886 337.8180 400.6986 ] >> endobj 31 0 obj << /Type /Action >> endobj 32 0 obj << /Type /Annot /Subtype /Link /A 33 0 R /Border [0 0 0] /H /I /Rect [ 270.7980 373.8366 349.4820 386.0466 ] >> endobj 33 0 obj << /Type /Action >> endobj 34 0 obj << /Type /Annot /Subtype /Link /A 35 0 R /Border [0 0 0] /H /I /Rect [ 286.1400 359.1846 334.1400 371.3946 ] >> endobj 35 0 obj << /Type /Action >> endobj 36 0 obj << /Type /Annot /Subtype /Link /A 37 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 333.1542 163.7000 345.3642 ] >> endobj 37 0 obj << /Type /Action >> endobj 38 0 obj << /Type /Annot /Subtype /Link /A 39 0 R /Border [0 0 0] /H /I /Rect [ 265.1280 291.4806 355.1520 303.6906 ] >> endobj 39 0 obj << /Type /Action >> endobj 40 0 obj << /Type /Annot /Subtype /Link /A 41 0 R /Border [0 0 0] /H /I /Rect [ 243.4560 276.8286 376.8240 289.0386 ] >> endobj 41 0 obj << /Type /Action >> endobj 42 0 obj << /Type /Annot /Subtype /Link /A 43 0 R /Border [0 0 0] /H /I /Rect [ 257.7960 262.1766 362.4840 274.3866 ] >> endobj 43 0 obj << /Type /Action >> endobj 44 0 obj << /Type /Annot /Subtype /Link /A 45 0 R /Border [0 0 0] /H /I /Rect [ 277.1340 247.5246 343.1460 259.7346 ] >> endobj 45 0 obj << /Type /Action >> endobj 46 0 obj << /Type /Annot /Subtype /Link /A 47 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 221.4942 137.0360 233.7042 ] >> endobj 47 0 obj << /Type /Action >> endobj 48 0 obj << /Type /Annot /Subtype /Link /A 49 0 R /Border [0 0 0] /H /I /Rect [ 267.8100 179.8206 352.4700 192.0306 ] >> endobj 49 0 obj << /Type /Action >> endobj 50 0 obj << /Type /Annot /Subtype /Link /A 51 0 R /Border [0 0 0] /H /I /Rect [ 292.1340 165.1686 328.1460 177.3786 ] >> endobj 51 0 obj << /Type /Action >> endobj 52 0 obj << /Type /Annot /Subtype /Link /A 53 0 R /Border [0 0 0] /H /I /Rect [ 296.8080 150.5166 323.4720 162.7266 ] >> endobj 53 0 obj << /Type /Action >> endobj 54 0 obj << /Type /Annot /Subtype /Link /A 55 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 136.4862 132.3680 148.6962 ] >> endobj 55 0 obj << /Type /Action >> endobj 56 0 obj << /Type /Annot /Subtype /Link /A 57 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 109.8342 171.6920 122.0442 ] >> endobj 57 0 obj << /Type /Action >> endobj 58 0 obj << /Type /Annot /Subtype /Link /A 59 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 95.1822 104.3480 107.3922 ] >> endobj 59 0 obj << /Type /Action >> endobj 60 0 obj << /Type /Annot /Subtype /Link /A 61 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 80.5302 71.6720 92.7402 ] >> endobj 61 0 obj << /Type /Action >> endobj 62 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 63 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 64 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 65 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 66 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 68 0 R 70 0 R 72 0 R 74 0 R 76 0 R 78 0 R 80 0 R 82 0 R 84 0 R 86 0 R 88 0 R 90 0 R 92 0 R 94 0 R 96 0 R 98 0 R 100 0 R 102 0 R 104 0 R 106 0 R 108 0 R 110 0 R 112 0 R 114 0 R 116 0 R 118 0 R 120 0 R 122 0 R 124 0 R 126 0 R 128 0 R 130 0 R ] /Contents 67 0 R >> endobj 67 0 obj << /Filter /FlateDecode /Length 1535 >> stream xXn8}Wi ;lֹ!7q(>,[`?~HH~ڃf̅< X  ˃?gIQH+2h@O 4Gi]-lΟ3tVmhv&Av!5ҠJ`}VrXRY6x/ A!0& ޠ0XhCjQ"fpr|v}@f0šb͚ąKe"7uZ XfqoMr?C ^!‰$. il>7 ĉS 7l! LFs{t}ru{ :6wq3O8>g{ G95kR4$zs-uGkffs$ݵ"~R9ڣE-tS4g ]~ygXGfN%s(]J*ea.3Ķݽ@a&8dM#X'FO&Y;*&"/J? endstream endobj 68 0 obj << /Type /Annot /Subtype /Link /A 69 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 759.6800 143.7080 771.8900 ] >> endobj 69 0 obj << /Type /Action >> endobj 70 0 obj << /Type /Annot /Subtype /Link /A 71 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 745.0280 103.0160 757.2380 ] >> endobj 71 0 obj << /Type /Action >> endobj 72 0 obj << /Type /Annot /Subtype /Link /A 73 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 718.3760 158.3360 730.5860 ] >> endobj 73 0 obj << /Type /Action >> endobj 74 0 obj << /Type /Annot /Subtype /Link /A 75 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 703.7240 75.6800 715.9340 ] >> endobj 75 0 obj << /Type /Action >> endobj 76 0 obj << /Type /Annot /Subtype /Link /A 77 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 689.0720 147.7160 701.2820 ] >> endobj 77 0 obj << /Type /Action >> endobj 78 0 obj << /Type /Annot /Subtype /Link /A 79 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 674.4200 77.6720 686.6300 ] >> endobj 79 0 obj << /Type /Action >> endobj 80 0 obj << /Type /Annot /Subtype /Link /A 81 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 647.7680 126.9920 659.9780 ] >> endobj 81 0 obj << /Type /Action >> endobj 82 0 obj << /Type /Annot /Subtype /Link /A 83 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 633.1160 74.3480 645.3260 ] >> endobj 83 0 obj << /Type /Action >> endobj 84 0 obj << /Type /Annot /Subtype /Link /A 85 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 618.4640 146.3840 630.6740 ] >> endobj 85 0 obj << /Type /Action >> endobj 86 0 obj << /Type /Annot /Subtype /Link /A 87 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 591.8120 197.6840 604.0220 ] >> endobj 87 0 obj << /Type /Action >> endobj 88 0 obj << /Type /Annot /Subtype /Link /A 89 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 577.1600 93.0200 589.3700 ] >> endobj 89 0 obj << /Type /Action >> endobj 90 0 obj << /Type /Annot /Subtype /Link /A 91 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 562.5080 94.3400 574.7180 ] >> endobj 91 0 obj << /Type /Action >> endobj 92 0 obj << /Type /Annot /Subtype /Link /A 93 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 535.8560 187.7240 548.0660 ] >> endobj 93 0 obj << /Type /Action >> endobj 94 0 obj << /Type /Annot /Subtype /Link /A 95 0 R /Border [0 0 0] /H /I /Rect [ 237.4500 494.1824 382.8300 506.3924 ] >> endobj 95 0 obj << /Type /Action >> endobj 96 0 obj << /Type /Annot /Subtype /Link /A 97 0 R /Border [0 0 0] /H /I /Rect [ 244.1400 479.5304 376.1400 491.7404 ] >> endobj 97 0 obj << /Type /Action >> endobj 98 0 obj << /Type /Annot /Subtype /Link /A 99 0 R /Border [0 0 0] /H /I /Rect [ 259.1220 464.8784 361.1580 477.0884 ] >> endobj 99 0 obj << /Type /Action >> endobj 100 0 obj << /Type /Annot /Subtype /Link /A 101 0 R /Border [0 0 0] /H /I /Rect [ 283.1340 450.2264 337.1460 462.4364 ] >> endobj 101 0 obj << /Type /Action >> endobj 102 0 obj << /Type /Annot /Subtype /Link /A 103 0 R /Border [0 0 0] /H /I /Rect [ 287.8020 435.5744 332.4780 447.7844 ] >> endobj 103 0 obj << /Type /Action >> endobj 104 0 obj << /Type /Annot /Subtype /Link /A 105 0 R /Border [0 0 0] /H /I /Rect [ 289.8000 420.9224 330.4800 433.1324 ] >> endobj 105 0 obj << /Type /Action >> endobj 106 0 obj << /Type /Annot /Subtype /Link /A 107 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 394.8920 169.7120 407.1020 ] >> endobj 107 0 obj << /Type /Action >> endobj 108 0 obj << /Type /Annot /Subtype /Link /A 109 0 R /Border [0 0 0] /H /I /Rect [ 284.8020 353.2184 335.4780 365.4284 ] >> endobj 109 0 obj << /Type /Action >> endobj 110 0 obj << /Type /Annot /Subtype /Link /A 111 0 R /Border [0 0 0] /H /I /Rect [ 287.1420 338.5664 333.1380 350.7764 ] >> endobj 111 0 obj << /Type /Action >> endobj 112 0 obj << /Type /Annot /Subtype /Link /A 113 0 R /Border [0 0 0] /H /I /Rect [ 297.8040 323.9144 322.4760 336.1244 ] >> endobj 113 0 obj << /Type /Action >> endobj 114 0 obj << /Type /Annot /Subtype /Link /A 115 0 R /Border [0 0 0] /H /I /Rect [ 281.4660 309.2624 338.8140 321.4724 ] >> endobj 115 0 obj << /Type /Action >> endobj 116 0 obj << /Type /Annot /Subtype /Link /A 117 0 R /Border [0 0 0] /H /I /Rect [ 277.4700 294.6104 342.8100 306.8204 ] >> endobj 117 0 obj << /Type /Action >> endobj 118 0 obj << /Type /Annot /Subtype /Link /A 119 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 268.5800 126.3560 280.7900 ] >> endobj 119 0 obj << /Type /Action >> endobj 120 0 obj << /Type /Annot /Subtype /Link /A 121 0 R /Border [0 0 0] /H /I /Rect [ 282.4680 226.9064 337.8120 239.1164 ] >> endobj 121 0 obj << /Type /Action >> endobj 122 0 obj << /Type /Annot /Subtype /Link /A 123 0 R /Border [0 0 0] /H /I /Rect [ 279.8040 212.2544 340.4760 224.4644 ] >> endobj 123 0 obj << /Type /Action >> endobj 124 0 obj << /Type /Annot /Subtype /Link /A 125 0 R /Border [0 0 0] /H /I /Rect [ 273.8100 197.6024 346.4700 209.8124 ] >> endobj 125 0 obj << /Type /Action >> endobj 126 0 obj << /Type /Annot /Subtype /Link /A 127 0 R /Border [0 0 0] /H /I /Rect [ 297.1380 182.9504 323.1420 195.1604 ] >> endobj 127 0 obj << /Type /Action >> endobj 128 0 obj << /Type /Annot /Subtype /Link /A 129 0 R /Border [0 0 0] /H /I /Rect [ 285.1440 168.2984 335.1360 180.5084 ] >> endobj 129 0 obj << /Type /Action >> endobj 130 0 obj << /Type /Annot /Subtype /Link /A 131 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 142.2680 133.7000 154.4780 ] >> endobj 131 0 obj << /Type /Action >> endobj 132 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 134 0 R 136 0 R 138 0 R 140 0 R 142 0 R 144 0 R 146 0 R 148 0 R 150 0 R 152 0 R 154 0 R 156 0 R 158 0 R 160 0 R 162 0 R 164 0 R 166 0 R 168 0 R 170 0 R 172 0 R 174 0 R 176 0 R 178 0 R 180 0 R 182 0 R 184 0 R 186 0 R 188 0 R 190 0 R 192 0 R ] /Contents 133 0 R >> endobj 133 0 obj << /Filter /FlateDecode /Length 1581 >> stream xXMs6WIf$x]kjDZ5t9Ȕq? PIB+iv񀓄j$ @'8Ih$? lF4$IL2[0N2%Ój[4U-亞?Dfot}^s{=BY: [< D܇͉~Q2&^|(Z Sq6bCS ]SB E3 a3&>l]ͫ$JH_mwŢXudj,h;a"ہb;A> endobj 135 0 obj << /Type /Action >> endobj 136 0 obj << /Type /Annot /Subtype /Link /A 137 0 R /Border [0 0 0] /H /I /Rect [ 269.8020 732.4064 350.4780 744.6164 ] >> endobj 137 0 obj << /Type /Action >> endobj 138 0 obj << /Type /Annot /Subtype /Link /A 139 0 R /Border [0 0 0] /H /I /Rect [ 272.7900 717.7544 347.4900 729.9644 ] >> endobj 139 0 obj << /Type /Action >> endobj 140 0 obj << /Type /Annot /Subtype /Link /A 141 0 R /Border [0 0 0] /H /I /Rect [ 264.7920 703.1024 355.4880 715.3124 ] >> endobj 141 0 obj << /Type /Action >> endobj 142 0 obj << /Type /Annot /Subtype /Link /A 143 0 R /Border [0 0 0] /H /I /Rect [ 280.1340 688.4504 340.1460 700.6604 ] >> endobj 143 0 obj << /Type /Action >> endobj 144 0 obj << /Type /Annot /Subtype /Link /A 145 0 R /Border [0 0 0] /H /I /Rect [ 295.4700 673.7984 324.8100 686.0084 ] >> endobj 145 0 obj << /Type /Action >> endobj 146 0 obj << /Type /Annot /Subtype /Link /A 147 0 R /Border [0 0 0] /H /I /Rect [ 259.4520 659.1464 360.8280 671.3564 ] >> endobj 147 0 obj << /Type /Action >> endobj 148 0 obj << /Type /Annot /Subtype /Link /A 149 0 R /Border [0 0 0] /H /I /Rect [ 279.1320 644.4944 341.1480 656.7044 ] >> endobj 149 0 obj << /Type /Action >> endobj 150 0 obj << /Type /Annot /Subtype /Link /A 151 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 618.4640 147.6920 630.6740 ] >> endobj 151 0 obj << /Type /Action >> endobj 152 0 obj << /Type /Annot /Subtype /Link /A 153 0 R /Border [0 0 0] /H /I /Rect [ 284.8080 576.7904 335.4720 589.0004 ] >> endobj 153 0 obj << /Type /Action >> endobj 154 0 obj << /Type /Annot /Subtype /Link /A 155 0 R /Border [0 0 0] /H /I /Rect [ 294.8040 562.1384 325.4760 574.3484 ] >> endobj 155 0 obj << /Type /Action >> endobj 156 0 obj << /Type /Annot /Subtype /Link /A 157 0 R /Border [0 0 0] /H /I /Rect [ 258.7860 547.4864 361.4940 559.6964 ] >> endobj 157 0 obj << /Type /Action >> endobj 158 0 obj << /Type /Annot /Subtype /Link /A 159 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 521.4560 99.0200 533.6660 ] >> endobj 159 0 obj << /Type /Action >> endobj 160 0 obj << /Type /Annot /Subtype /Link /A 161 0 R /Border [0 0 0] /H /I /Rect [ 259.4460 479.7824 360.8340 491.9924 ] >> endobj 161 0 obj << /Type /Action >> endobj 162 0 obj << /Type /Annot /Subtype /Link /A 163 0 R /Border [0 0 0] /H /I /Rect [ 259.1160 465.1304 361.1640 477.3404 ] >> endobj 163 0 obj << /Type /Action >> endobj 164 0 obj << /Type /Annot /Subtype /Link /A 165 0 R /Border [0 0 0] /H /I /Rect [ 276.1260 450.4784 344.1540 462.6884 ] >> endobj 165 0 obj << /Type /Action >> endobj 166 0 obj << /Type /Annot /Subtype /Link /A 167 0 R /Border [0 0 0] /H /I /Rect [ 281.4600 435.8264 338.8200 448.0364 ] >> endobj 167 0 obj << /Type /Action >> endobj 168 0 obj << /Type /Annot /Subtype /Link /A 169 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 409.7960 135.0440 422.0060 ] >> endobj 169 0 obj << /Type /Action >> endobj 170 0 obj << /Type /Annot /Subtype /Link /A 171 0 R /Border [0 0 0] /H /I /Rect [ 297.4680 368.1224 322.8120 380.3324 ] >> endobj 171 0 obj << /Type /Action >> endobj 172 0 obj << /Type /Annot /Subtype /Link /A 173 0 R /Border [0 0 0] /H /I /Rect [ 281.1360 353.4704 339.1440 365.6804 ] >> endobj 173 0 obj << /Type /Action >> endobj 174 0 obj << /Type /Annot /Subtype /Link /A 175 0 R /Border [0 0 0] /H /I /Rect [ 238.8060 338.8184 381.4740 351.0284 ] >> endobj 175 0 obj << /Type /Action >> endobj 176 0 obj << /Type /Annot /Subtype /Link /A 177 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 312.7880 122.3480 324.9980 ] >> endobj 177 0 obj << /Type /Action >> endobj 178 0 obj << /Type /Annot /Subtype /Link /A 179 0 R /Border [0 0 0] /H /I /Rect [ 243.4560 271.1144 376.8240 283.3244 ] >> endobj 179 0 obj << /Type /Action >> endobj 180 0 obj << /Type /Annot /Subtype /Link /A 181 0 R /Border [0 0 0] /H /I /Rect [ 289.8060 256.4624 330.4740 268.6724 ] >> endobj 181 0 obj << /Type /Action >> endobj 182 0 obj << /Type /Annot /Subtype /Link /A 183 0 R /Border [0 0 0] /H /I /Rect [ 272.7960 241.8104 347.4840 254.0204 ] >> endobj 183 0 obj << /Type /Action >> endobj 184 0 obj << /Type /Annot /Subtype /Link /A 185 0 R /Border [0 0 0] /H /I /Rect [ 247.4580 227.1584 372.8220 239.3684 ] >> endobj 185 0 obj << /Type /Action >> endobj 186 0 obj << /Type /Annot /Subtype /Link /A 187 0 R /Border [0 0 0] /H /I /Rect [ 233.1120 212.5064 387.1680 224.7164 ] >> endobj 187 0 obj << /Type /Action >> endobj 188 0 obj << /Type /Annot /Subtype /Link /A 189 0 R /Border [0 0 0] /H /I /Rect [ 288.4680 197.8544 331.8120 210.0644 ] >> endobj 189 0 obj << /Type /Action >> endobj 190 0 obj << /Type /Annot /Subtype /Link /A 191 0 R /Border [0 0 0] /H /I /Rect [ 275.7960 183.2024 344.4840 195.4124 ] >> endobj 191 0 obj << /Type /Action >> endobj 192 0 obj << /Type /Annot /Subtype /Link /A 193 0 R /Border [0 0 0] /H /I /Rect [ 279.8040 168.5504 340.4760 180.7604 ] >> endobj 193 0 obj << /Type /Action >> endobj 194 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 195 0 R >> endobj 195 0 obj << /Filter /FlateDecode /Length 1814 >> stream xXM6qt3$; vN6 Z-nKBRq_8(ْŒiQ,W^w ߰K;q%Re$f{&)κrZ yJPXk,@jdxG;1BJ(젅؉Nhfj ICbK#/j5H9LI2mi5'jKρAetʮ3)[tmw5Bʞ>w1L)AӁ?uD3w־B@ɹR4$5VwOCG[U1W!s'9c|nqã>g.rZ?'"* 'SODYoȡiS'["P]8fN )˛z4 */mbR񄛘 O Rumc&NYm1ƞMo?G3YșAœ$eLn̷_:ƺ!M*}l4m^w.Єn` P"9:Zu4$ݍUNr[JJؓzmX7R t' aH=@lG@g!U91IL1a*s&1FII(TQM铰Vv H/Trr&ÔW(c& p#XY% /'/hY> endobj 197 0 obj << /Filter /FlateDecode /Length 1622 >> stream xWMFS*>-BX`Ra,FH6+y--;T.-=_~ݾɧW3W>_E!6^Z]NO= O>~/?޽|g{E7wHEo## )iM}9teMuEFnKwGZAlDNl=mD!^qPa |"Y86J,[s_{dg-gxdV/NnYqj+킊/L~. וx)&*^KQUGvr$k_\FU;(UL-2q7?F\hV%M *֊gN=mS :(gVw%ic )7 'c/CtAms%[r9(mś\SqXd;{՞% &tHo4&(`M2侓j 3 SBfѺ*|o_&^eaMC?WTNb(.p^Õ3OGKuDiEqbͣ A3Emgq]) 1F.h;brߺ$+F2~}` gS;XObEi)85HZFalM!?r<*`[@ćl~ٲ$:er~lV 4bB77/YKRV' sV@;A`JC\\p}fjOc E3⻿.+"S"8owqM]Qް0$vr4s=xo|x.uPN;7߿:oZƢxzSu; *KooV^N.O~> endobj 199 0 obj << /Filter /FlateDecode /Length 1790 >> stream xX]s}S~JԣNmZiD"$e+)Q΅ɃMb]* B- 0 ojÒJ ZlS/NX!TcҲ0Q2qcł٣*t{|cc_qU2v5eF*aLWPT/~bo݆d$Xť Y_iya?9$k;nve? ĺxvn p>ٳ[&RWe;PvƇ>ʃ|zLZ(G-؋ЦFw#յeIڂ]"z2G+*Xl-,{0 (mDn$LuXEްFEso*D\E O/e}wp|{7~x{<6IQ"#{t9JQ!{]w L54l7ȞfdU!˝FS lm`=h;kE>XR^: r_DQ$;+A1غVR+yG1U跖u;o F/ת2BQ 0jJC ŘxE0V7%R+KSof9'"C$/i fsҦs"`O`*a(ȗM/_*pt Dʪc%¦"90~4:ӗ!S՛Tv#x#]&ׂ^ʃeH%ޅ0@h舕RSIJقw9ޓ¿`7n0U^B[}^aÁ2=Ms7ڔk5d#ux>ȵ+91>aOukk|Թ #*K$͂|Y>g4Z9.|fIhpsHF^?ԙ:&$ 6qH>U ӫiM.=/\dh]kHuѼ;jc)/jMIqs 3D6|E?dEahb ƅwԑ ЊRrxPV=l/fk}d*mU4OcGٹh9S{dVJNI\ϢC\aռXjtpS9@ +̞τf:8iEs|{ڼ|SCfEOU4~oL u qK(_4~pw-7Ows4x~v§QO' Zwmʥ-R?] .o(w߸雫E'8Y!0 |^i.V`VFVyOQPG 3<}?{X6_\f˛$a5e֯A> endobj 202 0 obj << /Filter /FlateDecode /Length 1879 >> stream xXr6}WSjR%#d*8o2yHDL HVjbx$y1MHM|T7 M}ĩ}ɶ 9J%P Uَ}!IlP>D^|ZrXRq[5G\|65Kguu-gŭHpf7#I=`l6sPpWӴ?^sC!я.Y76g8]aZm0Qi gi8 `fNBb +‰IqKtdžN&}6G QmΒG~XȂRj>4&U#_A/3kcۻiTĤu c|pҘeR Fe?+,G>`.,=J 1 pj I? h₅ǽPxlܮTjM(:Y ɖcwkXw<sɦ4?M 3`y񛚒ҿ&?V|PkKY[\[h^eΰn8c'#}0 I0yaV:[+۪:ز<^Ie+3R5]2 (XzQ 5?"o26xȧ DȽќ* DA7:m⪣/)46~9N+dKV\V~ȋ"e#i^&Y őϝ_ǯvz{x*l4eClϝBXwKE}Ҧ<zozUӳt!WΖس.vIܓ-";'hZ{=-mZHi'2gYKZOa]b/-i0E’§cT@hnmn]gIYʾVWE%_S{J,ZGevdtë?$t@F0Ȼ`л߾{wŸ$I3+o]f* V?H]4qpIB4zfؘF!B3k' H=dβoF̢Rqc; *A/~'6?"JK%i`!}bzT =𐭢=M3ЖqdFMD!)Pne+K1÷Zc0$yן endstream endobj 203 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 204 0 R >> endobj 204 0 obj << /Filter /FlateDecode /Length 1810 >> stream xX]6|_O0ǽ$E8AhH%y֋Ie<%w[E~#Tw;JsXG,^ohW7ߥ',݁路J#x/:⊄(zYMERɳRСڐ|F {I5ɾÝQRm羠Cs{z-d9uY}+ĉŊ8u(T۫Z?Zj|(UotwXNF^FcJ: %FF|֦VԵZ#pIDp͆ɩXaV#ƥ M6'm\E#Z6},?/+TaP+艛퇢"o׌v-JU"@rxN|T[P8xP_Jk:5mfv-pYyxxߢ*fͶQƝ{cr4kQ]sz,)XH]kB^7+Z.5“*秛1йM6oW*)+ZP2j$' C\]69ހ*@Vbs)t4Z lR!Vv/-V6VX!\s7 *Qm`-BIʒ( |8SeC&Q 6WId Bt`G8^h<*[h #N"1 n#R ƍ=F*shLʶ)l7M2MFTzokY&̮=u%DgR[Ea[}bI#ώNjف6!< J4c1aQ&ɑ<껇>|{5KסNyFad9plXGm.0,M803mVG*5̶8fEj+35ݴ~Xpyf**ygc'*P/&[{z/m4N@+{U( trglE;e6l5sMU+k+_^\m6=eWj;s XpkX<6~@-X^N|3f4(<CV3SG!. Mˈ3= v̖HTZAz,tò> endobj 206 0 obj << /Filter /FlateDecode /Length 1676 >> stream xXn6+lFoin-i( DTKJQLgd.PtY=<})G|.7[S%Om+z&0amk_t4Z}?vOmeMLat ؖԎi/dnz/FCO7#ݷzweEU;ZYw/lKT; 6R(HT驧M+kǣ4Ro6V;eJލ7to%7JlC;R)-j)˒hl+Du <4i,z2nG ñ4u01_zG[Zc{Y<=X=띪dHua0pjiĦ N|`1_, SZ2.S3YҌt< H߻*ht[Bdt$}B - p;lj&b^.r*3nB'gAȹe#} qҢS1(%_eXY̎; ,k%mE؊۸PM+e_YtFHnލw8L\ji62K=#,*|%zBZ ´ɫd6Һ>!a ̶)D,}ETU+o{HRO|VC8' v#*2f׵uk|HAT cNEqMd7TNx Hv 1Qb4h7 FQ@=8kFN9-zAH6)ΓaƠ)'wӻ7kZ$XlyuUYa36J \lqL7`Φ6}5_[a0n1&f Y`CƑ |Pn|1XdAS"E{ Rfu endstream endobj 207 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 208 0 R >> endobj 208 0 obj << /Filter /FlateDecode /Length 1816 >> stream xXrF+JhO<*(eɊ͊JrXKp.,@sc tx{Kz ~_~Ç|ߧkS^|(_8hI낾}S{>D|{{wG_۫n_~"[(-ѝ̻hSnҲn')];,)c+u6RfKdM>=Urဳ̖8M6ׅ 'duߪܣ eSʂ+I VߒIT|։$ h:;ш?@ko鼲/ 2d(o$G4u1_cyaa&Yzi;]]֣:iǮB4: dӦ2%=.Um*$RN9ezV),sAxs, u0xih RcDiFt$5mYBR#tIv S/\,nC5&z$;1E#9l2ņTyj)uc \dׅE_h?##{hԌs @0L7Jʠ .EΈRr]tv qJUE3I[:,I_ւl 5tD4E{Q|ޣ6&Q%qP%S>!wa,(U~y^cXhHӎG# Ɠ_ƣ@>CkV &*ȼiL +BnJ'9zT&{$5% ^upI|r@'x 20G68DΗ׏+Z^:~jiAHۜ SOGF<6W?6 ؝\x,]E2M&OHgޡiln }v3o~.H[.zO;޵&-Oo.߿rB́j ܨ6U%4=ޘyy`xtWt~SUd5zgtaYfQ]ze%#6:!<'g1 lEƾBcWըQ ![TBU}5yϗ.Ym#Oѝ\FZ1J kPti87[O--' ձdۅ'sEE$q A2'I*]`~9T1H[zvmlrs> endobj 211 0 obj << /Filter /FlateDecode /Length 2163 >> stream xXM61t3cg3 lXh8- )`GJY`ݲiQ,WQw ߰KcC{$I{Rmne߾Y=wSF3K`{+]wڳjX$&*ɦNLlgU{_$-1[)GuF+37-e {D<6'-6œ:q&+}GJ7l%YdWy'@;^ὈgdSzS%9pO @؈L3 /`fbn0 y%.Ɏ)7tac15n#{eDyd:m"ׁW Ƞ\8 ==m ƽl07R)P9L{|*|SDA䵃3V8V$T C@$,$AInV'YDs%=6ZmQ0S $+5ϫW 6oS7 wP&H`,I<ii(')xżGW1C"3{ >8d3kobV11 syV*5]7o`!PّB,ʤȪGC592{Ȥ<n;c5u1XUɋhF/&ҺJt‚iM@?t J1G%z7T66dFϰx6Q6;#PHDBIMXXC0o-h XSg]ۊa)6FG.N~jdl L4iWYCt3:S*x^\"jT=B # 84Ygdƒ[^Q/CUp2Tq,Q4ynz@{q=as1PcZ{_1ThQ:才 ϖp/ɱgZp8!|a=3i'=W_H}=%5O.%׎N/$@'Ë&7D̟k8²f/1̌` ^1Fӌd7gEozyR̩n5A@T+?-Op{ ㇻ6zA!kבf$}Yys`|*`6/g6%,ǟ~e?=> gQ|[afѯ3ؿ.JM5Q]C}TZb*xᗔ]3~mgiEñZ[ {ʽ@j؉s&AgZ0_.gq55e!_Rx2XN"UG"uބ{V<5̯JR<WW˪I /A>b˽3*YР^sZ endstream endobj 212 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 213 0 R >> endobj 213 0 obj << /Filter /FlateDecode /Length 1867 >> stream xXM6iSy`C3N5FvF923A 0:;rp_1:c/Nj:5p;*uV &+hEa,!ƴg/8Xjd'[@dͤg[xY*0X'iCBU<*q& OiW XTVܑ^,7r;ar[YT"KnB(/f^(N& ^QyĜNj]f\rļ'JytP>6d~1u0Kpi𪰇w )OҐqs It΄:,O&h'40hy F,>kg6z^I+Wȣϔ^Y (C -7c#NdI`ItBig5_8f Z47Nhq"d+UCO'q#<@R^t9Z{V39Yjkb؟( go />HMB)<4`qb.^oH.L`˹ ,։Y[5y=.~z8I"ֳa4+zs+zu9rIrcW|#{ͻm,U挰o[Kt}> endobj 215 0 obj << /Filter /FlateDecode /Length 1979 >> stream xXێ6}ﯨ 9$Ig -aIT(=Eɲf /S&+:Q@?ЯDGq hi7>Ru0^cA/^%&"ѯ_*ze7t774/0#ݑlH79^U쩖jAQ{UUf ]s:I[%Vצ"$PbKvJ5VMRn2Z]mURqH[ݪ|ƓeZeX%۞nFtZp㖽+,>R]\1|[1ʼWV ڞ:[%>L@l6q `@\UͪhM魮0L .6EHG2PA7TNt!Uh-اnwRhFX$Qqח9` AO3T8Cs[1 #QCqSVQ9. +[]Tgl瓞 RML{\eGr"Pʊ%\ވlkZ6CzO}I&w7{cZ'S(7V7-}Yc DCLI`ՎωLK{ċĨ+_ɋE!ȌF^^cHwqgbd AXtTC:߿Ս4܈416Ŭs%@Az~W73 BU$J *zw$"K}٪5hskꦎI)eI]7-Zd+ $BRvLSQb{dȖFc. CyT¦.\HdW7u[0{*ŚLoZ^kb&04^FƲ9gp,Dzoazy xcGY$RSF>bA;:(ȇSlG _6ɧ(EҵGgSEbU LgL dVan`Zvb.|{² L W"⫠=ΏͦO=7]EA灧 3_ipEj4en5dDצkc*sBS4|E+h#CACB9WߌQU/Pt2WM+u?x;s-RgeiF{7( W(TH<2@gYlRIANaR w/B__$֘bW\g, &MiE _W mxߍ_PNEbp4 )o^Ҿ;'l'ĝr"P;Dnki=oϼa> endobj 217 0 obj << /Filter /FlateDecode /Length 1815 >> stream xXے}TRy^{FTD R3-8Jh1pݧO7t-=Q@?ѯD.A9}Gqj?d@ۜv}}La$~yTfT$ОT?5Q MRm9SwZK9(h=B$y &&W; ~ԃPH<(/IQFh* ժG֧fr2^T_e>pqsSM"96x =SXfItPr:5 ɩPxI{|"Z]5 tn e $8pE6M?Nd  "O@ `TIyCeӫ9<_ÔnE6ʩPmYcS{8S0غ0|_%AUlٸIBͷ>8]P6sZYNX*ڟmTkhB8 gdϣa_k!"?/tݛ=xY.G]~H[e>\U ᄀ+;=WfٓNm,N]2nN7T7e b[r-cK t,aIr"0ZV! zX*Fpո[ 0R2dzuU>,qU%lLr0@!洱-}QF!l*%,DuS| bz4qĞTYMkq4gE3xE4HD~rF=~lAZ3p׭KPl-@@ѝm4끔4y0[|F0-'IdG7AlshIFX9dl gѐ4R9C}B,E]M Mܪ4 e7ӟ30n`X3ԃȪ2Sa!*1Cj!Psw0޶ sċ߄P,Иfय़E9,yB4Ƌ|)J9p۲xyLhhOW},S-},\`IӒkAyy"vvmSq<.YDW5+$9V^vh7kpc0LQ;6ǖctkv鲗A8ZiS(aR6RƫH HS<>:.Q-ECFn}"Lȍ: hJ]s]:Hz'G8c*Rx}]FxjY4J.~%'|Ac(7Xʲkd@-r*f1O^ĮՏAbtX۳fHrܧRd`e,_`phWo?pw6硈:Jqce]D"+C:ARHíJ`)o?ܿ$3 bQ}Uq?C{ ?2~DE¸b+pKa0b4 !G~F|ɳ'\*xW<=A{M[*A gÉ3f1cI⼰0 ,v+;EABdDmƑ >G!^Կh-2Q)#^kDv~w endstream endobj 218 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 219 0 R >> endobj 219 0 obj << /Filter /FlateDecode /Length 1659 >> stream xWے4}' 2@ , EQ<(q WIU%J>Oo"V E-F;D,"՛/(e8-詥Ͽ(XDOoấwywz.wa]w'" $F#%haT#]lVX(SOrP/@YN\]gV!4QĒ: ]afԋ<^5|0r#GRo\qD=7n؈5ӀKUΊ, 2z#F$|q ȩG(Ck5duȷrsr>(gǛg`<6vڃM'׶K Q́BeK<+R*qn V%>wQhvǍDZpFX.y j5h+ZIUˊ4g͇rHm/'M{W=7?$|lH1fҸW'IqVŬ0/n28 $]Ѹ˦0ئ^I郅!QA'yfHn30dq^@qDX!OVɄO1‰oֆԕ z[^\3<*YRlVoϣz>K rOwfeC;Hp/w 0Y" Y Aa F @|mծ~]5aw>qǸ*I^{0,Y]|+UѨw3 RXbXXպ SwYZc<52bqee1X}p҂{&a qL|=HdpkD)ooaZ˩ty95Vj$|+ cL4rpQPZUBҨq/>燮ZXOϿO?~eh$ yw7;NߊN宗۳-cgϻ !4q2d[{hc^&|X#*P4\ 5v] |V'eș\G*`>.\W; Pr\.(t 86wcѩ<;:g?u 4S= (Xj)CzM**6E+*k^d^ރ|'.V3U-"CCvV9ͣsG]`z5EDZR~`c!nwӯ8uӄrOB\wRtP6ivپ昇NȫIhҶB:}(k"qܬWFL$AK\}䇞VrL/`QB6廯oN_ZFp7˦ ~f󈪸`q,|_eZ,gUhu|y]ZIثQČ79QY\)>nÿs.^˓_gbnh眊J8F/(| >L3'q&a9yt>_ f4#ǗY_#.YdcllDPAx5ZbGUq >BR ٤' endstream endobj 220 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 221 0 R >> endobj 221 0 obj << /Filter /FlateDecode /Length 1784 >> stream xXr4}W#T /Ӳ REQ֌ElH$C|1ݒg!]x3H}Vn"V#D~ io"EgCYD,.*o/RteB5zG 0\yj/v;hzlpALIC+-j? J<.PU9r0+,@I(+# S'>axыA _9JZPzg;y `OC҈UE$)Ox 4 [V-bV8FqEEh9ڝ{wA .ʈub7 [)=qۋSLv Ez^~6{+Ty4*ߟ;98PHKtLq.jkM\\N8z*-4ŬB"ѐ~8 K'iZ5iI V=h"jBя?o~ؗqgM'Zѣ¹,o 0;fdgH>3]B+V!0Eʲ`MliǸ:Rv| mTJ?*iJ{@]Mw҉= 5D Ai5e);SlEYH'e⺈{[SI* FpxBBZx{ʑfF+;GK A:PҾÝ-Eh3YN8/ܒTgk$P>MP,ͣ6}WEծwǏ5filMi8fUsy7Vox:EZg9;}.Y\."7]IQ<ųtжdi*U;϶˭*OS>CxE/,sClO=~0zwWхBa~QcTY-f?hj{r8N匹+{ޟ>"oWѵnsBpp_5¢g#F+]+#&‰ ~ֵOZfȎVN)2?d2Uʘ{[L^b`蹡ϯz |Ѕ૓whEZwa45*BJ`?|ysV1KȫJZIXVΛN YM 'Y91o{w۟n 2%^.;_-]O/F|\^ "3•f 9t\Y:ObhO1gBko=/wSf}/;K3p"ſ~8'y y } fKgebq+V^v%(fX I hIY:ѕP/l=SY~B endstream endobj 222 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 223 0 R >> endobj 223 0 obj << /Filter /FlateDecode /Length 1770 >> stream xXr6}WSQIN$TL_JCL{Ξ]:O/'_=iSm:6IFw=y |~J/tnKn(/qE_ݛIxqXW{vEIN:"1psnؚ j{-^vpWs6^% )=XC-pkT+; (Yy\rVkx~v Lؓwrl\p G9̂}c)tBdEbpB/ӆwHɺq^(dDtܛʱAu&vdRN"q6+'zDcC^Ԩ!`' ^tGʹcWc ǹ.̲XJM@o:&qBAR7rt)8N^$ӏŗJTBqAGU쪩N ht. AuޘKqyYRGZLnqP݌8FRR*FMLAߊ~RR ԡOXe^N]gѵ19 VJQ1ڀl|qز*DD;\FiY*4ul ;kh  ^Īf]XKkW?w"bG-!`~F'9UEygOoI ?8d^Bbkn(~Emh#*׭>nZNhNGgdIky#+d`!:H\`P)+YPı.{۝T &׆$dP, @ 5oj_2m^@']AW5G[>sAiς!75)lE- U:mmg1Zs+ U_^0M8s^2>;l:,NxVMJD3渃]w(<(V P]CW։Wt 蕨* CӨJ4ݳRB0uAH/mL}w[2ؖ`\tEMoG-;jEӳ6Lǚ{AZR3gz̳LG0ի2A+[G?m+> qE.AouIo1,0ն{#r g|hǭe"1!BЋhtYT1U'bd 'T pJt~il)vo:L6޾M^F/~}uzhR!+bCfetZ x)  \go^~~u)De)vk/_UxX4sK HZKKA X0Փ3Kxͬy,D=kߢU-S ^Yě~Iƾ\=Pt6g~| endstream endobj 224 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 225 0 R >> endobj 225 0 obj << /Filter /FlateDecode /Length 2009 >> stream xXMs6WJSNImjgqV*DB$@{ʯ/~ E8U{hhׯ83JQǴo{_m%ۊzCFIp oNuF%AhU-ZԏF3EHJֆ>$w$Xk/P'>ITo=1ET$lD.tLG|2ʍU; ]+σSBS=lC1\z?\mUiHǯp@iU,7cG+S^wyTY`S^,z0k魘8c*M?`16*̆" 1;jAtZ˺s+[=h'{۲؞d{7µ-l i`'厍~-c (@/wU:p`f[6!LE '.\ oGQ_?G|= hX\PꕔgH6wEQpNӮ]d Y`@bKpVlcǎ}O\4<$Y d dݎY _ML`zà1mϽf1ӳlOAb]H-&KmhI8E!7mۀWM V(Lch|'}) o\ jgx3e8.lhjYFi8,ҋhrN}$<Ү:tr<;^œ›qIco0a6 Uŭ{hk s ;ʗl>e8v4lsP,WЎliv_zm]뚭a" q߽Ueqh)Vva[mdqf9sG&: W#\2]l=vŹې iqڼۉ8vhTҵ9ƇO͍)4E]?L^z p~$;NEIlo-2YȤrhd_8-Ks0t%*24٣2ׯ>Zπr> RݬaBCk8OI}!XbZh"I>=~xG_z$Фޭ|2m24VifN޴f*^gKٺ>l1.HCxK $!DZm PomCV'@t;vI!XisH{0h0PdJK'խl&% oIIH|Rz²8l+r`f{0cXl~JQ_s <7?TUDiu}Ү,/]Ϳ".T%.ixZ|¿~>ܾ[3i7 :o6 '[O> endobj 228 0 obj << /Filter /FlateDecode /Length 1514 >> stream xWˎ6We 8I IvР%ZfG"RE_O4]d4bHs}U&tGDKw,믾/MrE7=}QR^nDOt\Q:QT#J* q%tTG+9J;d;)l'Oݓlon\n7JN$V/H.)Ų*Xm#VQN^ӟ$8EQ^[OūGxA-OnA4=v@z%,~ҦAQ,bD;ìL/v6Ӡ<;Q#Eq Oj(*Q)?AopQ*<(y4t RvGmza8r>=:hHɡU]Y3HWepOiO[TfЁDhl*e밇aX]p5٪`Z<W^zXwSc H(균<&"`;XUƫH*g) u-z0!Z7I[ 6JD Gk:$'5 '6i$*u֤qS Ǟl޲T+4(isǓX^&0Ūt.ԅH{.MeΎ4gP!F)gW`8GORmL(Cr o&9?yE& [>w3W.vgT"V륨딏U(pu9Q!VHsD׬qP-z 9Pe S hNAZbNzvq dXIެy}n81S +R |*%Ga/삿׬4ԧ ځejgѼ(\cnL{k((hZ &|@*Vp 4Mb-N:vg4qϲG-ױyf'Zn.D+Ԃ|z8SȒ O &9qgj#iD/8yӵH;"-nNH L?-eϯvvFO] :g4z.f(qH4S.6 &_LY"cB4dܾX p1PM;f\hrbIy:Lp:uٴbbl21Tȟjr괹Xu/'iE\VO _/k *Xd1> +1}^s}źh/E^▝/7BoKx~7\4eJw"tNcE ?٤E+Fp/t#904 endstream endobj xref 0 229 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000516 00000 n 0000000545 00000 n 0000000694 00000 n 0000000984 00000 n 0000002388 00000 n 0000002497 00000 n 0000002605 00000 n 0000002713 00000 n 0000002826 00000 n 0000002953 00000 n 0000002989 00000 n 0000003117 00000 n 0000003153 00000 n 0000003281 00000 n 0000003317 00000 n 0000003445 00000 n 0000003481 00000 n 0000003609 00000 n 0000003645 00000 n 0000003771 00000 n 0000003807 00000 n 0000003934 00000 n 0000003970 00000 n 0000004098 00000 n 0000004134 00000 n 0000004262 00000 n 0000004298 00000 n 0000004426 00000 n 0000004462 00000 n 0000004590 00000 n 0000004626 00000 n 0000004754 00000 n 0000004790 00000 n 0000004917 00000 n 0000004953 00000 n 0000005081 00000 n 0000005117 00000 n 0000005245 00000 n 0000005281 00000 n 0000005409 00000 n 0000005445 00000 n 0000005573 00000 n 0000005609 00000 n 0000005736 00000 n 0000005772 00000 n 0000005900 00000 n 0000005936 00000 n 0000006064 00000 n 0000006100 00000 n 0000006228 00000 n 0000006264 00000 n 0000006391 00000 n 0000006427 00000 n 0000006554 00000 n 0000006590 00000 n 0000006716 00000 n 0000006752 00000 n 0000006876 00000 n 0000006912 00000 n 0000006971 00000 n 0000007030 00000 n 0000007087 00000 n 0000007144 00000 n 0000007501 00000 n 0000009110 00000 n 0000009237 00000 n 0000009273 00000 n 0000009400 00000 n 0000009436 00000 n 0000009563 00000 n 0000009599 00000 n 0000009725 00000 n 0000009761 00000 n 0000009888 00000 n 0000009924 00000 n 0000010050 00000 n 0000010086 00000 n 0000010213 00000 n 0000010249 00000 n 0000010375 00000 n 0000010411 00000 n 0000010538 00000 n 0000010574 00000 n 0000010701 00000 n 0000010737 00000 n 0000010863 00000 n 0000010899 00000 n 0000011025 00000 n 0000011061 00000 n 0000011188 00000 n 0000011224 00000 n 0000011352 00000 n 0000011388 00000 n 0000011516 00000 n 0000011552 00000 n 0000011680 00000 n 0000011716 00000 n 0000011846 00000 n 0000011883 00000 n 0000012013 00000 n 0000012050 00000 n 0000012180 00000 n 0000012217 00000 n 0000012346 00000 n 0000012383 00000 n 0000012513 00000 n 0000012550 00000 n 0000012680 00000 n 0000012717 00000 n 0000012847 00000 n 0000012884 00000 n 0000013014 00000 n 0000013051 00000 n 0000013181 00000 n 0000013218 00000 n 0000013347 00000 n 0000013384 00000 n 0000013514 00000 n 0000013551 00000 n 0000013681 00000 n 0000013718 00000 n 0000013848 00000 n 0000013885 00000 n 0000014015 00000 n 0000014052 00000 n 0000014182 00000 n 0000014219 00000 n 0000014348 00000 n 0000014385 00000 n 0000014744 00000 n 0000016400 00000 n 0000016530 00000 n 0000016567 00000 n 0000016697 00000 n 0000016734 00000 n 0000016864 00000 n 0000016901 00000 n 0000017031 00000 n 0000017068 00000 n 0000017198 00000 n 0000017235 00000 n 0000017365 00000 n 0000017402 00000 n 0000017532 00000 n 0000017569 00000 n 0000017699 00000 n 0000017736 00000 n 0000017865 00000 n 0000017902 00000 n 0000018032 00000 n 0000018069 00000 n 0000018199 00000 n 0000018236 00000 n 0000018366 00000 n 0000018403 00000 n 0000018531 00000 n 0000018568 00000 n 0000018698 00000 n 0000018735 00000 n 0000018865 00000 n 0000018902 00000 n 0000019032 00000 n 0000019069 00000 n 0000019199 00000 n 0000019236 00000 n 0000019365 00000 n 0000019402 00000 n 0000019532 00000 n 0000019569 00000 n 0000019699 00000 n 0000019736 00000 n 0000019866 00000 n 0000019903 00000 n 0000020032 00000 n 0000020069 00000 n 0000020199 00000 n 0000020236 00000 n 0000020366 00000 n 0000020403 00000 n 0000020533 00000 n 0000020570 00000 n 0000020700 00000 n 0000020737 00000 n 0000020867 00000 n 0000020904 00000 n 0000021034 00000 n 0000021071 00000 n 0000021201 00000 n 0000021238 00000 n 0000021368 00000 n 0000021405 00000 n 0000021512 00000 n 0000023401 00000 n 0000023508 00000 n 0000025205 00000 n 0000025312 00000 n 0000027177 00000 n 0000027209 00000 n 0000027316 00000 n 0000029270 00000 n 0000029377 00000 n 0000031262 00000 n 0000031369 00000 n 0000033120 00000 n 0000033227 00000 n 0000035118 00000 n 0000035150 00000 n 0000035257 00000 n 0000037495 00000 n 0000037602 00000 n 0000039544 00000 n 0000039651 00000 n 0000041705 00000 n 0000041812 00000 n 0000043702 00000 n 0000043809 00000 n 0000045543 00000 n 0000045650 00000 n 0000047509 00000 n 0000047616 00000 n 0000049461 00000 n 0000049568 00000 n 0000051652 00000 n 0000051684 00000 n 0000051791 00000 n trailer << /Size 229 /Root 1 0 R /Info 5 0 R /ID[<539cca7eecd476b414d2073ca9c7d79c><539cca7eecd476b414d2073ca9c7d79c>] >> startxref 53380 %%EOF Genres - Myco-Verse Productions

Learn About Our Music Moods

AMBIENT & ATMOSPHERIC

Ambient and Atmospheric music focuses on immersive soundscapes and mood creation. Ambient music uses minimalistic compositions to evoke calmness and depth. Ambient Bass combines atmospheric qualities with bass-driven beats. Dark Ambient explores eerie, shadowy soundscapes, while Meditation music supports mindfulness with soothing sounds. PsyJourney blends psychedelic elements with narrative soundscapes, guiding listeners through internal exploration.

Ambient

Ambient music is a genre that focuses on tone and atmosphere over traditional musical structure or rhythm. It aims to evoke an immersive atmosphere, often through the use of electronic textures and minimalistic compositions. Ambient music can be both calming and complex, offering a backdrop to meditation, relaxation, or deep focus. It’s the sound of stillness and space, inviting listeners to explore their own inner landscapes.

Ambient Bass

Ambient Bass merges the atmospheric qualities of ambient music with the depth and intensity of bass-driven beats. This genre creates a sonic environment that is at once enveloping and expansive, offering a deep, resonant foundation overlaid with ethereal soundscapes. It’s a genre that appeals to those who appreciate the physicality of sound and its emotional resonance.

Dark Ambient

Dark Ambient music explores the more shadowy and eerie side of ambient music, using dissonant harmonies, minimalistic compositions, and haunting soundscapes. It’s designed to evoke feelings of mystery, introspection, and unease, providing a backdrop for horror, sci-fi, and other immersive experiences that delve into the unknown.

Lofi-Vibes

Lofi-Vibes music is characterized by its relaxed, mellow sound, often incorporating elements like vinyl crackles, soft synths, and laid-back beats. It’s a genre that embodies chill, comforting atmospheres, making it perfect for studying, relaxing, or unwinding. Lofi-Vibes creates a cozy, intimate listening experience that stands in stark contrast to the polished production of mainstream music.

Meditation

Meditation music is designed to support the practice of meditation by providing a calming and focused auditory environment. Characterized by slow tempos, minimalistic structures, and soothing soundscapes, this genre often includes ambient, nature sounds, and subtle instrumental compositions. Meditation music facilitates relaxation, concentration, and the exploration of inner peace, making it an essential tool for mindfulness practices, stress reduction, and spiritual growth. It serves as a gentle guide for the mind’s journey inward, helping listeners to detach from external noise and connect with a deeper sense of stillness and being.

BASS & RHYTHM

Bass and Rhythm music emphasizes powerful, vibrating tracks. Bass music focuses on heavy use of bass frequencies. Breakbeat features complex rhythmic patterns, combining hip-hop, funk, and electronic elements. Chillwave evokes 80s synth-pop nostalgia with a laid-back vibe. Drum N’ Bass combines rapid breakbeats with heavy basslines, while Dubstep is known for syncopated rhythms and intense drops. Psychedelic Bass blends deep bass with psychedelic effects.

Bass

Bass music is a broad category that encompasses various electronic music styles focused on heavy use of bass and sub-bass frequencies. From dubstep to drum and bass, the genre prioritizes the lower end of the sound spectrum, producing powerful, vibrating tracks that feel as much as they are heard. Bass music is a physical experience, often designed for big sound systems and live performances where the sound can truly envelop the listener.

Breakbeat

Breakbeat offers a rhythmic variation from the steady pulse of house and techno, by slicing up breakbeats and basslines into complex patterns. Originating from hip-hop and funk, it incorporates elements of EDM, jungle, and drum and bass, creating energetic tracks that defy conventional four-to-the-floor rhythms. Breakbeat is dynamic and versatile, providing an energetic backdrop for dance floors and experimental listening alike.

Chillwave

Chillwave is a genre that evokes the nostalgia of 80s synth-pop and the tranquility of ambient music, characterized by lo-fi production, dreamy synths, and a laid-back vibe. It’s music that conjures images of sunsets and endless summers, offering an escape into a warm, fuzzy, synth-driven bliss. Chillwave is the sound of relaxation and reminiscence, wrapped in a soft electronic embrace.

Drum N’ Bass

Drum N’ Bass is a fast-paced genre of electronic music, known for its rapid breakbeats and heavy basslines. It combines elements of old-school jungle with the newer sounds of electronic music, creating tracks that are energetic and relentless. Drum N’ Bass is music for adrenaline, perfect for intense workouts or high-energy dance floors.

Dubstep

Dubstep is characterized by its sparse, syncopated rhythms and emphatic basslines, often featuring the hallmark “wobble” bass. Emerging from the UK’s underground music scene, it has evolved into a global phenomenon, known for its intense drops and head-nodding beats. Dubstep is a genre that pushes the boundaries of bass music, offering a visceral listening experience.

CLASSICAL & INSTRUMENTAL

Metal and Heavy Music is defined by powerful guitar riffs and vigorous rhythms. Metal encompasses various intense sub-genres. Progressive Metal combines technical prowess with metal’s power, featuring intricate compositions. Nu-Metal blends metal with hip-hop and alternative rock, characterized by heavy riffs and rap-influenced vocals. These genres are known for bold expression and musical intensity.

Cinematic Rock

Cinematic Rock combines the dramatic, sweeping elements of film scores with the intensity of rock music. It features orchestral arrangements, powerful guitar riffs, and dynamic compositions, making it perfect for creating epic, grandiose soundscapes that evoke strong emotions and vivid imagery.

Instrumental Electronic

Instrumental Electronic music emphasizes synthesized sounds and non-vocal elements to create diverse soundscapes that range from ambient to dance. It focuses on the texture and mood, offering listeners a wide spectrum of emotional and auditory experiences without the direct influence of lyrics. This genre appeals to those who appreciate the pure sound and innovative possibilities of electronic music.

Instrumental Rock

Instrumental Rock focuses on the use of rock instrumentation without vocals, highlighting the technical prowess of the musicians and the power of the music itself. It spans various sub-genres, from progressive rock to surf rock, offering a pure, unadulterated rock experience.

Soundtrack

Soundtrack music is specifically composed to accompany visual media like films, TV shows, and video games. It ranges from orchestral scores to electronic compositions, designed to enhance the emotional and narrative aspects of the medium it serves. Soundtracks can stand alone as powerful musical works, evoking the themes, settings, and emotions of the stories they accompany.

ELECTRONIC & DANCE

Electronic and Dance music is designed for energetic movement and vibrant beats. Electro merges electronic rhythms with funk and disco, while Progressive Electro blends evolving structures with electronic textures. Progressive House and Tech House mix rhythmic elements with complex builds. Techno features repetitive beats and futuristic sounds, and Trance focuses on uplifting melodies. Progressive Trance and Psytrance add layers and psychedelic elements. EDM encompasses various dance styles, all aimed at energizing and uniting crowds.

EDM & DANCE

EDM & Dance music is designed to energize and engage listeners through rhythmic beats and vibrant melodies. Encompassing a wide range of electronic genres, including house, techno, trance, and dubstep, this category focuses on creating an immersive and dynamic experience. EDM (Electronic Dance Music) is characterized by its repetitive beats, catchy hooks, and high-energy production, often crafted for large venues and festivals. Dance music emphasizes movement and rhythm, making it a staple of clubs and social gatherings. Whether through pulsating basslines, uplifting melodies, or intricate synth patterns, EDM & Dance music aims to unite people on the dance floor and evoke a sense of euphoria and connection.

Dance

Dance music is designed to get people moving, encompassing a wide range of electronic genres from house and techno to disco and EDM. It’s characterized by repetitive rhythms, catchy melodies, and a focus on beats per minute (BPM) suitable for dancing. Whether in a club, at a festival, or in the living room, dance music brings energy and joy, uniting listeners in movement and celebration. It’s a genre that emphasizes rhythm and groove, making it a staple of parties and social gatherings where the goal is to create an atmosphere of fun and excitement.

EDM

EDM (Electronic Dance Music) encompasses a wide range of club-oriented electronic music genres, including house, techno, trance, and dubstep, among others. It’s characterized by its focus on danceable beats, catchy melodies, and vibrant production. EDM has become a global phenomenon, fueling festivals and clubs with its infectious energy and ability to bring people together on the dance floor.

Electronic Dance

Electronic Dance is a broad term that covers various styles of music created to facilitate dancing. It includes genres like house, techno, trance, and EDM, focusing on rhythm, beats, and electronic sounds. Electronic Dance Music is designed to energize the crowd, making it a staple of nightclubs, dance festivals, and parties worldwide.

HOUSE & DEEP HOUSE

House & Deep House is a genre that encompasses the vibrant, danceable beats of house music and the atmospheric, soulful vibes of deep house. House music, originating from Chicago in the early 1980s, is characterized by its repetitive four-on-the-floor beat, rich basslines, and uplifting melodies. It creates an energetic and inclusive dance floor experience with its infectious rhythms and soulful vocals. Deep House, a sub-genre of house music, takes a more introspective approach, featuring complex chords, smooth transitions, and a deeper, more immersive sound. It incorporates elements of jazz, soul, and funk, emphasizing warmth and emotional depth. Together, House & Deep House offer a dynamic range of dance music that caters to both energetic dance floors and laid-back, atmospheric settings.

Deep House

Deep House merges the rhythmic elements of house music with complex chords, soulful melodies, and an atmospheric depth. It’s a genre that emphasizes warmth and emotion, often incorporating elements of jazz, soul, and funk. Deep House tracks are characterized by their subtle grooves and moody ambiance, offering a more introspective take on the house music spectrum.

House

House music is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a tempo of 120 to 130 beats per minute. It’s known for its rich basslines, synthesized melodies, and soulful vocals. Originating in the Chicago club scene, House has evolved into numerous sub-genres, remaining a cornerstone of the electronic dance music world with its infectious, uplifting vibe.

Progressive House

Progressive House is a sub-genre of house music known for its deep, melodic soundscapes and gradual build-ups. It features layered synths, smooth transitions, and a steady rhythm, creating an immersive, hypnotic experience on the dance floor.

Tech House

Tech House blends the repetitive beats of techno with the soulful rhythms of house music, creating a genre that’s both driving and groovy. It’s music designed for the dance floor, emphasizing rhythm and texture over melody. Tech House is a favorite among DJs and dancers alike, offering a sophisticated take on electronic dance music.

TECHNO & ELECTRO

Techno & Electro is a genre category that merges the mechanical and rhythmic innovations of techno with the futuristic and funky elements of electro. Techno is known for its repetitive beats, synthesized basslines, and immersive soundscapes, creating an intense and hypnotic atmosphere ideal for dance floors. Electro, on the other hand, combines electronic beats with funk and disco influences, characterized by its use of drum machines, synthesizers, and robotic vocals. Together, these genres offer a dynamic and energetic listening experience that is both forward-thinking and rooted in the electronic music traditions. Techno & Electro music thrives on innovation, complexity, and a relentless drive, making it a favorite in clubs, festivals, and among electronic music enthusiasts.

Electro

Electro music is a genre that merges electronic beats with funk and disco influences, characterized by its use of drum machines, synthesizers, and robotic vocals. It originated in the early 1980s and has since evolved, maintaining its futuristic and danceable appeal.

Progressive Electro

Progressive Electro is an innovative genre that blends the evolving, complex structures of progressive music with the electronic beats and textures of electro. It emphasizes long builds, intricate soundscapes, and a seamless blend of electronic and organic elements.

Techno

Techno is a genre of electronic dance music that emerged in the late 1980s in Detroit, Michigan, and has since evolved into a global phenomenon, encompassing various subgenres and styles. Characterized by repetitive 4/4 beats, synthesized basslines, and futuristic soundscapes, techno music is designed for the immersive experience of communal dance. Its roots in the African American communities of Detroit imbue it with a rich cultural heritage, even as it speaks the universal language of rhythm and movement. Techno often explores themes of technology, futurism, and transcendence, offering listeners an escape into alternate realities crafted from sound. From warehouse raves to festival main stages, techno unites a diverse audience in the shared experience of beat-driven, hypnotic immersion.

TRANCE MUSIC

Trance music is an electronic dance genre known for its repetitive beats, uplifting melodies, and high-energy rhythm. It’s designed to induce a trance-like state in the listener, characterized by its build-ups, breakdowns, and drops. Trance is a genre that thrives on emotional resonance, creating a sense of euphoria and connectedness among its audience.

Trance

Trance music is an electronic dance genre known for its repetitive beats, uplifting melodies, and high-energy rhythm. It’s designed to induce a trance-like state in the listener, characterized by its build-ups, breakdowns, and drops. Trance is a genre that thrives on emotional resonance, creating a sense of euphoria and connectedness among its audience.

Progressive Trance

Progressive Trance is a sub-genre of trance music that focuses on the evolution of complex melodies and textured layers over time. It’s characterized by its slower tempo, atmospheric builds, and emotional depth, offering a more nuanced and introspective take on the trance experience. Progressive Trance is music that invites the listener on a journey, building gradually to create a powerful emotional release.

SYNTH POP & ELECTRONIC

Synth Pop & Electronic combines the catchy, melodic sensibilities of synth pop with the expansive, experimental sounds of electronic music. Synth Pop emerged in the late 1970s and early 1980s, characterized by its use of synthesizers to create bright, catchy melodies and pop-oriented song structures. It often features themes of romance, technology, and futurism, with a polished, accessible sound. Electronic music, on the other hand, is a broad category that encompasses a wide range of styles and sounds produced using electronic instruments and technology. This genre explores innovative production techniques and synthesized sounds, ranging from ambient and downtempo to hardcore and techno. Together, Synth Pop & Electronic offer a versatile musical experience that spans from the catchy and familiar to the avant-garde and experimental.

Electronic

Electronic music is a broad category that encompasses any music produced using electronic instruments and technology. Its versatility spans across genres, from ambient and downtempo to hardcore and techno, offering an endless spectrum of sounds and experiences. Electronic music is defined by its exploration of synthesized sounds and innovative production techniques, constantly pushing the boundaries of what music can be.

Synth Pop

Synth Pop is a genre that emerged in the late 1970s, characterized by its use of synthesizers to create catchy, melodic pop music. It combines electronic sounds with pop sensibilities, resulting in music that’s both futuristic and accessible. Synth Pop is known for its glossy production and often features themes of romance and technology.

EXPERIMENTAL & ADVANT-GARDE

The Miscellaneous group includes unique and innovative genres. Abstract IDM (Intelligent Dance Music) explores unconventional structures and experimental sounds. Industrial music combines mechanical noises with intense aesthetics. Minimal music focuses on simplicity and repetition. Parody songs use humor and irony to entertain and critique. This group offers diverse auditory experiences that challenge traditional musical boundaries.

40s Swing Electro Fusion

40s Swing Electro Fusion is a genre that seamlessly blends the vibrant, big band sound of 1940s swing with the modern, energetic beats of electronic music. This genre features the hallmark instruments of swing music, including brass, reeds, and pianos, paired with electronic synthesizers, drum machines, and contemporary production techniques. The rhythms combine the infectious, danceable swing beats with electronic grooves, creating a unique sound that is both nostalgic and futuristic. With its upbeat tempo, catchy melodies, and innovative soundscapes, 40s Swing Electro Fusion offers a fresh, dynamic listening experience that bridges the past and present in a harmonious fusion.

Abstract IDM (Leftfield)

Abstract IDM (Intelligent Dance Music) explores the outer fringes of electronic and dance music, emphasizing unconventional structures, experimental sounds, and complex rhythms. Leftfield, as a term, denotes its position away from the mainstream, presenting innovative textures and sonic landscapes that challenge traditional dance music norms. It’s cerebral and immersive, appealing to listeners who seek depth and innovation in their electronic music experiences.

Educational Jams

Educational Jams are compositions designed to inform and teach, using catchy melodies and rhythms to make learning engaging and memorable. Spanning topics from mathematics to history, these tracks leverage the power of music to enhance retention and make complex subjects accessible and fun. It’s a creative approach to education, proving that learning can be enjoyable and effective through music.

Industrial

Industrial music is a genre that thrives on the avant-garde edge of the sonic spectrum, embodying an intense, gritty aesthetic that draws heavily from the mechanical and the technological. It’s a soundscape built from a fusion of electronic and acoustic sounds, often incorporating the harsh, machine-like noises of industrial machinery, distorted vocals, and unconventional sound production techniques. This genre is not just about the music but also about challenging traditional musical structures and exploring themes of dystopian realities, political dissent, and existential angst. Born out of the late 1970s and early 1980s, industrial music has since evolved, splintering into numerous subgenres, each adding its own unique flavor while maintaining the core ethos of innovation and rebellion. It’s a genre for the explorers, the disillusioned, and those who seek to push the boundaries of what music can convey in the reflection of the modern world’s complexities.

Minimal

Minimal music is characterized by simplicity and repetition, focusing on a limited set of sounds, motifs, and dynamics. It strips away the complex arrangements found in other genres to focus on the essence of sound and rhythm. This genre, found in both electronic and classical music, appeals to those who appreciate the subtle changes and deep focus that minimalistic compositions can evoke.

Parody

Parody songs are comedic or satirical pieces that mimic or spoof other musical works, genres, or artists. This genre leverages humor, irony, and exaggeration to entertain, critique, or pay homage to the original material. Parody can range from light-hearted and playful to sharp and critical, often using clever lyrics and musical mimicry to convey its message. Artists like Weird Al Yankovic exemplify the genre, transforming well-known hits into humorous commentaries on popular culture. Parody songs engage listeners with laughter and insight, showcasing the lighter side of music and its cultural significance.

FOLK, COUNTRY, & ACOUSTIC

Folk and Acoustic music focuses on natural instruments and storytelling. Acoustic music highlights the pure sounds of strings and woodwinds. Folk music is rooted in cultural storytelling traditions, featuring acoustic instruments. Folk Rock merges folk’s lyrical depth with rock’s energy, while Future Folk blends traditional folk with electronic elements for a modern twist.

Acoustic

Acoustic music is characterized by its reliance on instruments that produce sound naturally, without electronic amplification. It spans genres, from folk and classical to pop and rock, highlighting the raw, pure sounds of strings, woodwinds, brass, and percussion. Acoustic music is celebrated for its intimacy, warmth, and the tactile connection it fosters between the musician and their instrument, offering a stripped-back, authentic listening experience.

Country

Country music is the soulful chronicle of American life, especially resonant with the experiences of its heartland. Emerging in the early 20th century, it has roots in folk, Western, and blues genres, telling stories of love, heartbreak, and resilience through a distinctly southern lens. Characterized by its straightforward melodies, strong narrative lyrics, and traditional instruments like guitars, banjos, and fiddles, country music has a heartfelt, authentic quality that connects deeply with its listeners. Over the decades, it has evolved to include various subgenres, from the traditional sounds of bluegrass and honky-tonk to the pop-infused melodies of contemporary country, yet it remains unified by its storytelling spirit and its exploration of life’s trials and triumphs.

Folk

Folk music is the heart’s narrative, a genre deeply rooted in the storytelling traditions of various cultures around the world. Characterized by its simplicity and emotional depth, folk music often centers around the human voice, accompanied by acoustic instruments such as guitars, banjos, and violins. Its themes are universal—love, loss, joy, and the everyday experiences that bind humanity together—rendered in songs that are passed down through generations, evolving with each retelling. Folk music serves as a mirror to the cultural, social, and political landscapes from which it springs, offering a timeless commentary on the human condition.

Folk Rock

Folk Rock merges the acoustic elements and lyrical storytelling of folk music with the electric instrumentation and energy of rock. It retains the emotional depth and cultural commentary of folk while introducing a more dynamic and amplified sound, appealing to fans of both genres.

Future Folk

Future Folk is an innovative genre that marries the storytelling and acoustic warmth of traditional folk music with futuristic electronic elements, creating a bridge between the past and the speculative future. It retains the intimate, narrative-driven essence of folk, often characterized by lyrical storytelling, acoustic instruments, and vocal harmonies, but infuses it with electronic beats, synth textures, and other digital production techniques. This genre speaks to a generation that values both the rich heritage of folk traditions and the possibilities opened by technological advancement, resulting in music that feels both timeless and forward-thinking. Future Folk is an auditory exploration of what it means to be human in a rapidly changing world, blending the organic with the synthetic in a harmonious balance.

HIP-HOP & URBAN

Hip-Hop and Urban music combines rhythmic speech with beats, reflecting cultural commentary. Hip-Hop/Rap, originating in New York City, spans various styles worldwide. Trap blends hip-hop with EDM, known for synthesized drums. Chill Trap offers a relaxed, ambient take, while Glitch Hop merges digital errors with rhythmic grooves. These genres are characterized by innovative beats and cultural relevance, making them powerful for expression and connection.

Chill Trap

Chill Trap combines the bass-heavy, glitchy elements of trap music with a more laid-back, ambient approach. It incorporates smooth synths, ethereal pads, and crisp percussion, creating a relaxed yet rhythmically engaging soundscape. Chill Trap is perfect for those seeking the energy of trap without the intensity, offering a more contemplative take on the genre.

Glitch Hop

Glitch Hop combines the glitchy effects of choppy editing and sound manipulation with the rhythmic grooves of hip-hop, creating an innovative electronic genre. It’s music that plays with digital errors and turntable techniques to produce funky beats and unique soundscapes, appealing to listeners who appreciate both electronic music’s cutting-edge sounds and hip-hop’s rhythmic flow.

Hip-Hop/Rap

Hip-Hop/Rap is a cultural movement and music genre characterized by rhythmic and rhyming speech (“rap”) and a backing beat. Emerging from the urban landscapes of New York City, it has grown to encompass various styles worldwide. Hip-Hop is as much about the message as the music, often reflecting on social issues, personal stories, and cultural commentary.

Trap

Trap music originated in the Southern United States, blending elements of hip-hop, crunk, and EDM. It’s known for its use of synthesized drums, crisp snare rolls, and atmospheric samples. Trap has evolved to include a range of styles, from lyrical and melodic to hard-hitting and aggressive, embodying a diverse and influential sound in the contemporary music landscape.

Trip-Hop

Trip-Hop is a genre that blends elements of hip-hop with electronic music and experimental sounds. Originating in the early 1990s, it often features slow, atmospheric beats, moody melodies, and a blend of both live and electronic instrumentation. The genre is known for its dark, cinematic soundscapes and incorporation of diverse influences, including funk, soul, and jazz. Trip-Hop creates a downtempo, immersive listening experience, often characterized by its hypnotic grooves and introspective lyrics.

ROCK & ALTERNATIVE

Rock and Alternative music blends traditional rock instrumentation with innovative sounds. This group includes Ambient Rock, which combines atmospheric elements with rock, and Cinematic Rock, known for its orchestral arrangements. Electronic Rock fuses electronic beats with rock energy, while Instrumental Rock focuses on pure music without vocals. Progressive Rock and Progressive Metal emphasize complex compositions and technical skills. Punk Rock features raw, aggressive sounds, and Hard Rock intensifies with heavy riffs. Classic Rock encompasses timeless hits from the 60s to the 80s, and Alternative Rock is known for its experimental approach.

Alternative Rock

Alternative Rock emerged as a counterpoint to mainstream rock music, incorporating a diverse array of influences from punk, indie, and post-punk, among others. It’s known for its boundary-pushing sounds, lyrical depth, and embrace of experimentation. Alternative rock bands are often recognized for their independent spirit, rejecting commercial trends in favor of personal expression and artistic integrity.

Ambient Rock

Ambient Rock blends the atmospheric elements of ambient music with the instrumentation and structure of rock. It emphasizes mood and texture over traditional rock dynamics, creating a sound that is both immersive and contemplative. This genre is ideal for those who appreciate the depth of ambient music but enjoy the edge of rock.

Classic Rock

Classic Rock refers to rock music from the 1960s to the 1980s that has stood the test of time, featuring iconic bands and timeless hits. It includes a variety of styles but is unified by its lasting popularity and influence on subsequent generations of musicians.

Electronic Rock

Electronic Rock fuses the synthetic sounds of electronic music with the raw energy of rock. It typically features electric guitars, synthesizers, and electronic beats, creating a hybrid genre that appeals to fans of both electronic and rock music.

Hard Rock

Hard Rock amplifies the intensity and aggression of rock music, incorporating heavy guitar riffs, emphatic rhythms, and powerful vocals. Originating in the 1960s and 70s, it has influenced countless subgenres and captivated fans with its bold sound and dynamic performances. Hard Rock is music that packs a punch, embodying a spirit of rebellion and raw energy.

Rock

Rock music is a broad genre that encompasses a wide range of sounds, from the soft melodies of rock ballads to the hard-hitting riffs of heavy rock. It’s characterized by its use of electric guitars, a strong rhythm section, and powerful vocals. Rock has a rich history of innovation and cultural impact, offering a voice to generations and a platform for musical experimentation.

Progressive Rock

Progressive Rock is known for its complex compositions, intricate musicianship, and experimental approach. It often features long, elaborate tracks that blend rock with elements of classical, jazz, and electronic music, pushing the boundaries of traditional rock structures.

Punk Rock

Punk Rock is characterized by its raw, aggressive sound, fast tempos, and anti-establishment lyrics. Emerging in the 1970s, it focuses on simplicity and directness, often featuring short, powerful songs that convey a rebellious spirit.

METAL & HEAVY MUSIC

Metal and Heavy Music is defined by powerful guitar riffs and vigorous rhythms. Metal encompasses various intense sub-genres. Progressive Metal combines technical prowess with metal’s power, featuring intricate compositions. Nu-Metal blends metal with hip-hop and alternative rock, characterized by heavy riffs and rap-influenced vocals. These genres are known for bold expression and musical intensity.

Nu-Metal

Nu-Metal combines elements of metal with other genres like hip-hop, grunge, and alternative rock, creating a unique blend characterized by its heavy guitar riffs, rap-influenced vocals, and aggressive rhythms. Emerging in the late 1990s, it brought a fresh, innovative approach to the metal genre, appealing to a younger audience and reflecting contemporary musical and cultural trends.

Metal

Metal is a genre of rock music known for its powerful guitar riffs, vigorous rhythms, and dramatic vocal styles. It encompasses a wide range of sub-genres, from classic heavy metal to death metal and beyond, each with its unique intensity and thematic elements. Metal music is not just about the sound; it’s a culture that embraces bold expression and musical prowess.

Progressive Metal

Progressive Metal combines the complexity and virtuosity of progressive rock with the power and aggression of metal. It features intricate compositions, technical instrumentation, and often conceptual themes, appealing to fans who appreciate both musical sophistication and heavy music.

PSYCHEDELIC

Psychedelic music aims to create an altered state of consciousness. Psychedelic Bass blends deep bass with psychedelic effects. Psytrance is known for its high tempo and rhythmic basslines. PsyJourney combines psychedelic music with a narrative structure for a sonic exploration of consciousness. Psychedelic Rock features innovative recording techniques and experimental sounds.

Psychedelic Bass

Psychedelic Bass blends the deep, resonant sounds of bass music with the mind-altering effects of psychedelic electronic music. It creates a hypnotic, immersive experience, characterized by its use of swirling synths, heavy basslines, and trippy effects. This genre is for listeners seeking a deep, sensory experience that transcends traditional musical boundaries.

Psychedelic Rock

Psychedelic Rock is a genre that emerged in the 1960s, characterized by its use of innovative recording techniques, extended instrumental solos, and a focus on creating an altered state of consciousness. It often features distorted guitars, experimental sounds, and lyrical themes that explore the mind, nature, and otherworldly experiences. Influenced by the counterculture movement, Psychedelic Rock aims to evoke a sense of adventure and exploration, pushing the boundaries of traditional rock music.

PsyJourney

PsyJourney music is an immersive genre that combines elements of psychedelic music with a narrative structure, guiding the listener through a sonic exploration of consciousness and perception. It often incorporates evolving soundscapes, ethnic rhythms, and ambient textures, offering a journey that is as much about internal exploration as it is about musical discovery.

Psytrance

Psytrance (Psychedelic Trance) is a sub-genre of trance music known for its high tempo, rhythmic basslines, and the use of synthesizers to create a complex, layered sound. It often incorporates elements of traditional and digital music to evoke a sense of otherworldliness and transcendence. Psytrance is designed to induce a trance-like state, providing a soundtrack for dance and spiritual experiences.

JAZZ, FUNK, & SOUL

Jazz and Funk music is known for its expressive depth and rhythmic complexity. Jazz features improvisational elements and harmonic intricacy, rooted in African American communities. Funk/Soul combines rhythmic basslines with emotive vocals and vibrant harmonies. These genres offer rich musical innovation and cultural expression.

Jazz

Jazz is a complex and evolving genre known for its improvisational elements, syncopated rhythms, and harmonic complexity. It has roots in African American communities and has given birth to numerous sub-genres, from bebop to swing and beyond. Jazz is celebrated for its expressive depth, instrumental virtuosity, and influential contributions to music history.

Funk/Soul

Funk/Soul music is rich with expressive vocals, rhythmic basslines, and a groove that gets listeners moving. Funk brings a complex, syncopated rhythm and heavy bass, while soul adds depth with its emotive vocals and vibrant harmonies. Together, they form a powerful genre that speaks to the heart and the feet, embodying a history of musical innovation and cultural expression.

R&B (Rhythm and Blues)

R&B is a genre that combines elements of jazz, gospel, and blues, known for its emotive vocals, smooth rhythms, and soulful melodies. It has evolved over the years to include a blend of contemporary sounds, maintaining its emphasis on vocal expression and heartfelt lyrics. R&B is music that connects deeply with listeners’ emotions, reflecting experiences of love, heartache, and joy.

WORLD & CULTURAL

World and Cultural music celebrates global musical diversity. Ancient Egyptian Vibes blend traditional motifs with modern compositions. Middle Eastern Vibing incorporates traditional melodies and rhythms with contemporary techniques. Native American/Shamanic music connects with spiritual traditions using natural sounds and instruments. Worldwide music combines global sounds, creating a rich tapestry of cultural expression.

Ancient Egyptian Vibes

Ancient Egyptian Vibes music seeks to recreate the soundscape of a civilization that has fascinated humanity for millennia. This genre draws inspiration from the history, mythology, and instruments of ancient Egypt, blending traditional motifs with modern compositions to evoke the grandeur and mysticism of the Pharaohs’ era. Using flutes, harps, and percussive instruments like the sistrum and darbuka, the music often incorporates the scales and modes that scholars believe were used in ancient times. It’s a musical journey back in time, aiming to capture the essence of the Nile’s banks, majestic pyramids, and the profound spirituality of ancient Egyptian culture, creating an immersive experience of its revered and mysterious past.

Chants

Chants are modern and futuristic forms of musical expression that combine rhythmic beats with spiritual mantras and enlightening lyrics. This genre spans various contexts, focusing on healing, inspiration, and transcendence. These chants incorporate elements of mantras and spiritual songs designed to be sung or spoken along with captivating rhythms. They create a powerful communal experience, connecting participants to their spirituality and each other. The simplicity and repetitive nature of chants make them meditative and transformative, providing a direct channel to emotional and spiritual states.

Drum Circles

Drum Circles music captures the communal and improvisational spirit of group drumming. This genre is not defined by a specific style of music but by the act of creating rhythm collectively, using a variety of percussion instruments. Participants in a drum circle contribute to a shared beat, creating a powerful, rhythmic experience that fosters unity and personal expression. Drum Circles are both a form of social gathering and a spiritual or meditative practice, emphasizing the primal connection humans have to rhythm and each other. It’s an inclusive and dynamic environment where everyone is welcome to join, listen, and contribute to the communal creation of music.

Middle Eastern Vibing

Middle Eastern Vibing Songs embrace the diverse cultural and musical heritage of the Middle East, incorporating traditional melodies, rhythms, and instruments with contemporary production techniques. This genre spans across various styles, including Arabic pop, Persian classical music, and modern electronic influences, creating a unique fusion that is both exotic and accessible. Characterized by intricate rhythms, quarter-tone scales, and emotive vocal styles, Middle Eastern Vibing Songs transport listeners to the heart of the Middle East, offering a rich, immersive experience of its complex beauty and artistic depth.

Native American/Shamanic

Native American/Shamanic music is deeply rooted in the spiritual and cultural traditions of indigenous peoples. It is characterized by its use of natural sounds, traditional instruments like flutes, drums, and rattles, and vocal chanting. This genre is integral to various ceremonies, rituals, and healing practices, aiming to connect with the spiritual world, nature, and the community. Shamanic music, in particular, is used in journeying and meditation, facilitating a deep trance state for spiritual exploration. Both Native American and Shamanic music are powerful mediums that evoke a sense of connection to the earth, ancestors, and the inner self, offering listeners a path to introspection and emotional healing.

 

Reggae

Reggae music originated in Jamaica, characterized by its laid-back rhythm, offbeat accents, and socially conscious lyrics. It’s a genre that speaks to themes of love, struggle, and unity, infused with a distinctive groove that has influenced countless other music styles. Reggae’s relaxed tempo and positive vibes make it universally beloved, embodying a spirit of resistance and resilience.

Ritual Vibes

Ritual Vibes music is crafted to enhance the atmosphere of sacred and ceremonial spaces. It encompasses a wide range of sounds and styles, designed to invoke a sense of reverence, transformation, and connection to the divine. This genre often incorporates elements like chanting, drumming, and the use of specific instruments believed to carry spiritual significance. Ritual Vibes music is used in various spiritual practices, from pagan ceremonies to modern mindfulness retreats, creating an ambient backdrop that supports introspection, celebration, and the performance of rituals. It’s a genre that transcends ordinary experience, aiming to connect participants with deeper spiritual truths and communal bonds.

Worldwide

Worldwide music, or World Music, encompasses a broad spectrum of traditional and contemporary music from across the globe. This genre celebrates the diversity of musical expression, combining sounds, rhythms, and languages from different cultures to create a rich, global tapestry. From African beats and Latin rhythms to Celtic melodies and Asian harmonics, Worldwide music is a cross-cultural journey that highlights the uniqueness and commonalities of human experiences through sound. It’s a genre that fosters understanding and appreciation for the world’s varied cultural heritage, inviting listeners to explore and connect with music beyond their borders.

 

Shopping Cart
  • Your cart is empty.
Scroll to Top